Leonard Cohen was a man of paradoxes—a renowned artist whose angelic poetry and music often belied the darker aspects of his private life. This struggle, between angels and devils, is evident not only in Cohen's creative work but also in his complex relationship with his former personal manager, Kelley Lynch. Lynch's story offers a different, more convoluted image of Cohen—one involving manipulation, control, and the harsh legal aftermath of a fractured relationship.
While the world adored Cohen for his poetic insights into love, despair, and redemption, Lynch was experiencing a different side of him—a side that wasn’t about forgiveness but about control and silencing. Their long-standing professional partnership, beginning in 1988 and stretching through the years, transformed from mutual trust to bitter legal battles involving accusations of theft, betrayal, and conspiracy. The narrative that has unfolded is not one that matches Cohen's public persona as a charming and enlightened man of wisdom and compassion. Instead, Lynch's revelations suggest a much darker side to the celebrated musician.
Cohen's Complex Financial Web: Lynch's involvement with Cohen was not just as his personal manager but also a close personal friend and someone with a deep understanding of his business and personal affairs—something Cohen appeared to increasingly find threatening. The complexity began with offshore accounts and convoluted corporate structures, set up by Cohen with the help of advisors such as Richard Westin and Neal Greenberg. Lynch describes her growing suspicion around these financial dealings, particularly when the IRS began scrutinizing Cohen's accounts in 2002. This marked the start of the unraveling of their relationship.
By 2004, Cohen was reportedly concerned about Lynch going to the IRS, fearing exposure of questionable financial practices. This led to escalating tensions, and by 2005, Cohen sought a restraining order against her. The accusations of theft and the allegations of misappropriated funds were ultimately formalized in a default judgment. Lynch maintains that she was never served with Cohen's lawsuit and thus could not defend herself, leading to a one-sided legal outcome that she has been battling ever since.
Restraining Orders: Silence as a Weapon: One of the most telling aspects of Cohen's attempt to control Lynch is the series of restraining orders that he obtained against her. The first, in 2005, came as Lynch was communicating with federal agencies, including the IRS, FBI, and DOJ, regarding Cohen's financial and tax matters. According to Lynch, Cohen was attempting to silence her as she sought clarity and transparency around these dealings. The restraining order also had the effect of shaping a narrative—that Lynch was an erratic and dangerous presence in Cohen's life—one that aligned well with Cohen's public statements and deflected scrutiny from his financial practices.
In 2008, Cohen again sought a restraining order, this time in response to Lynch's public refutation of defamatory lies Cohen had spread about her during his tour. Lynch recalls that friends and family reached out to her, alarmed by Cohen's portrayal of her, which prompted her to push back publicly. The restraining order, she believes, was intended to further discredit her and keep her from sharing her version of events.
The third restraining order came in 2011, during the enforcement proceedings sanitizing Cohen's public image, focusing on the IRS's scrutiny, Cohen's tax fraud allegations, and his notorious "good rock 'n roll story" about Phil Spector—a story that seemed to evolve with each retelling. Lynch points out that this coincided with the former prosecutor in the Spector case running for re-election, a time when Cohen seemingly gave a command performance to sanitize his reputation and shield himself from damaging allegations. During this time, the media was filled with misogynistic statements about Lynch and outright lies regarding federal tax matters, all intended, she asserts, to maintain Cohen's untarnished image.
The Devil in the Details Cohen's public narrative about his financial troubles often centered on Lynch—she was painted as the villain who misappropriated his funds, forcing him back on the road to tour in order to recoup his losses. But Lynch offers a different story—one where she was offered half of everything Cohen owned, along with community property and intellectual rights, in exchange for her silence and, allegedly, for providing false testimony against his representatives. When she refused, Lynch says Cohen and his legal team escalated their campaign to ruin her—from tarnishing her reputation in the media to orchestrating coordinated legal actions aimed at destabilizing her life.
Throughout this legal and personal struggle, Cohen seemed to embody both the angel and the devil—the poet who sang of redemption and the man who sought to crush dissent from those who knew his secrets. Lynch’s story adds nuance to Cohen's image, suggesting that his quest for control, both over his creative work and those around him, could at times take on a ruthless edge. His ability to weave beautiful lyrics about love and spiritual awakening contrasts sharply with his attempts to control and suppress those who challenged him.
The Struggle for Redemption: The story of Leonard Cohen and Kelley Lynch is ultimately one of disillusionment. It raises questions about the true nature of those we idolize, and the gulf that can exist between public persona and private actions. Lynch, who knew Cohen intimately for two decades, found herself caught between the angels and devils that seemed to inhabit his soul. The legal battles, the restraining orders, and the accusations were all part of Cohen's struggle to retain control over his public narrative, even as it crumbled behind the scenes.
For Lynch, Cohen's angels and devils were not just metaphorical—they were real forces that shaped her life, casting her from a position of influence and trust into one of homelessness, legal strife, and social isolation. While Cohen sang of love, forgiveness, and spiritual struggle, the actions he took in his personal life reflected a much different struggle—one for power, silence, and control. The angels and devils were not just in his songs; they were in the choices he made, and the lives he affected.
Ultimately, Leonard Cohen appears to be a fallen angel—one whose beautiful music and profound lyrics could not disguise the darker impulses that guided his actions. Fallen angels are also known as demons, evil spirits, and unclean spirits. For Lynch, Cohen’s fall from grace was not a matter of myth but of lived experience, as the man who once inspired with his poetry and music became a figure of betrayal and deceit. The legacy of angels and devils, of the light and the dark, is woven into the fabric of his life—and it left a mark on all those who came too close to the flame.
